Renata Janiszewska (CA)
Station Onze, 2021, digital output, dimensions variable.
Digital collage made with selected apps on ios device.
renatajaniszewska.com
@renatajiji
Renata Janiszewska (CA)
Coeur, 2021, digital output, dimensions variable.
Digital collage made with selected apps on ios device.
renatajaniszewska.com
@renatajiji
Renata Janiszewska (CA)
énigme, 2021, digital output, dimensions variable.
Digital collage made with selected apps on ios device.
renatajaniszewska.com
@renatajiji
Renata Janiszewska (CA)
stealth, 2021, digital media, dimensions variable.
Digital collage made with selected apps on ios device.
renatajaniszewska.com
@renatajiji
Renata Janiszewska (CA)
spectral, 2021, digital media, dimensions variable.
Digital collage made with selected apps on ios device.
renatajaniszewska.com
@renatajiji
Mananiko Kobakhidze (Georgia)
I do not feel, but I fight and therefore I exist, 2021, A3, digital poster series, mixed media, digital collage.
Mananiko Kobakhidze (Georgia)
The greatest crime is to do nothing because we can only do a little, 2021, A3, digital poster series, mixed media, digital collage.
Mananiko Kobakhidze (Georgia)
I’ll never see them again, 2021, A3, digital poster series, mixed media, digital collage.
Lauren Moffatt (Australia)
Compost III, 2021, digital render, 30×30 cm.
Lauren Moffatt (Australia)
Compost II, 2021, digital render, 30×30 cm.
Lauren Moffatt (Australia)
Compost I, 2021, digital render, 30×30 cm.
Anna Nazo (Russia)
Flame 2.0, 2020,video stills.
A 360 degree video/ digital collage that includes multiple video feeds of performance documentation and CGI, mapped in 360 virtual space.
Flame 2.0 (2020). Performance for Entanglement: Just Gaming, RCA Visual Cultures Lecture Series, Royal College of Art, Online/ London, UK.
Flame 2.0 is a Zoom streamed 360 digital-physical AV performance presented by Anna Nazo’s avatar ‘α Phoenicis (Ankaa)’.
Using a 360 degree imaging archive, the work engages in a live conversation with its earlier iterations including Flame (2020), a performance for Stay LIVE At Home programme, organised by Performistanbul, Live-streamed on Zoom and Instagram @annanazo, Istanbul, Turkey / London, UK; and Undulation (2020), a performance for So remember the liquid ground, a public program in a partnership between the RCA CCA and Gasworks, curated by Benjamin Darby, Yoojin Kang, Akis Kokkinos, Angelina Li, Lenette Lua and Louise Nason, Online/ London, UK. Commissioned by Gasworks & RCA CCA.
https://cargocollective.com/annanazo
@annanazo
Anna Nazo (Russia)
Flame 2.0, 2020,video stills.
A 360 degree video/ digital collage that includes multiple video feeds of performance documentation and CGI, mapped in 360 virtual space.
Flame 2.0 (2020). Performance for Entanglement: Just Gaming, RCA Visual Cultures Lecture Series, Royal College of Art, Online/ London, UK.
Flame 2.0 is a Zoom streamed 360 digital-physical AV performance presented by Anna Nazo’s avatar ‘α Phoenicis (Ankaa)’.
Using a 360 degree imaging archive, the work engages in a live conversation with its earlier iterations including Flame (2020), a performance for Stay LIVE At Home programme, organised by Performistanbul, Live-streamed on Zoom and Instagram @annanazo, Istanbul, Turkey / London, UK; and Undulation (2020), a performance for So remember the liquid ground, a public program in a partnership between the RCA CCA and Gasworks, curated by Benjamin Darby, Yoojin Kang, Akis Kokkinos, Angelina Li, Lenette Lua and Louise Nason, Online/ London, UK. Commissioned by Gasworks & RCA CCA.
https://cargocollective.com/annanazo
@annanazo
Anna Nazo (Russia)
Flame 2.0, 2020,video stills.
A 360 degree video/ digital collage that includes multiple video feeds of performance documentation and CGI, mapped in 360 virtual space.
Flame 2.0 (2020). Performance for Entanglement: Just Gaming, RCA Visual Cultures Lecture Series, Royal College of Art, Online/ London, UK.
Flame 2.0 is a Zoom streamed 360 digital-physical AV performance presented by Anna Nazo’s avatar ‘α Phoenicis (Ankaa)’.
Using a 360 degree imaging archive, the work engages in a live conversation with its earlier iterations including Flame (2020), a performance for Stay LIVE At Home programme, organised by Performistanbul, Live-streamed on Zoom and Instagram @annanazo, Istanbul, Turkey / London, UK; and Undulation (2020), a performance for So remember the liquid ground, a public program in a partnership between the RCA CCA and Gasworks, curated by Benjamin Darby, Yoojin Kang, Akis Kokkinos, Angelina Li, Lenette Lua and Louise Nason, Online/ London, UK. Commissioned by Gasworks & RCA CCA.
https://cargocollective.com/annanazo
@annanazo
Anna Nazo (Russia)
Flame 2.0, 2020,video stills.
A 360 degree video/ digital collage that includes multiple video feeds of performance documentation and CGI, mapped in 360 virtual space.
Flame 2.0 (2020). Performance for Entanglement: Just Gaming, RCA Visual Cultures Lecture Series, Royal College of Art, Online/ London, UK.
Flame 2.0 is a Zoom streamed 360 digital-physical AV performance presented by Anna Nazo’s avatar ‘α Phoenicis (Ankaa)’.
Using a 360 degree imaging archive, the work engages in a live conversation with its earlier iterations including Flame (2020), a performance for Stay LIVE At Home programme, organised by Performistanbul, Live-streamed on Zoom and Instagram @annanazo, Istanbul, Turkey / London, UK; and Undulation (2020), a performance for So remember the liquid ground, a public program in a partnership between the RCA CCA and Gasworks, curated by Benjamin Darby, Yoojin Kang, Akis Kokkinos, Angelina Li, Lenette Lua and Louise Nason, Online/ London, UK. Commissioned by Gasworks & RCA CCA.
https://cargocollective.com/annanazo
@annanazo